In the name of the name; The sensitive surfaces of graffiti - Bringing together for the first time
times around forty international artists, historical or emerging, In the name
of the name. The sensitive surfaces of graffiti deploy a photograph
documentary, atmospheric, action, an intimate archive, a photograph
pictorial but also a police photograph. From Los Angeles to Paris in
passing through London or Sao Paulo, the book stretches a negative thought of the
graffiti considered here as revealing what the city does not want to see.
\nIn the Name of the Name is not a book of graffiti photographs but shows
how the graffiti scene was crossed by photography. Graffiti is a
feeling, an affect, an attitude, a mode of operation. Graffiti is a
mental, obsessive and physical relationship of the margins. Graffiti is a
original writing, that of the shadows of prehistory and childhood.
