Beryl Cook / Tom of Finland
- Authors: Edited by Joe Scotland, Edited by Nicola Wright, Edited by Callum Whitley, By (author) Huw Lemmey
- Publishers: HOLBERTON
- Date of Publication: 2025-01-15
- Pages: 96
- Dimensions: 251mm x 201mm
                        This bold catalog brings together the work of two cultural icons for the very
 first time: Beryl Cook (1926–2008) and Tom of Finland (1920–1991). It was
 inspired by the 2024 exhibition Beryl Cook / Tom of Finland at Studio Voltaire
 in London. Beryl Cook was a painter renowned for her exuberant style and
 descriptions of everyday life. Her work captures the social milieu of the areas
 she lived in and visited, notably Plymouth. Her most enduring images are of
 larger-than-life women carousing in nightclubs, eating in cafés or enjoying 
ribald hen parts, rendered in graphic and colorful forms. Cook's work came to
 prominence in the mid-1970s and she quickly became known as one of Britain’s
 best-loved artists, highly recognized for her distinctive works, which are both
 celebratory and provocative. Tom of Finland's pioneering depictions of
 homosexual machismo in his images of bikers, soldiers, cowboys, sailors and
 laborers broadly represent queer, leather and muscle communities. A master
 draftsman, he used his works to give form to an imaginative universe that, in
 turn, helped fuel real-world liberation movements and had significant influence
 on a wide range of cultural figures including the Village People, Freddie
 Mercury, Jean Paul Gaultier and Robert Mapplethorpe. Beryl Cook / Tom of Finland
 puts their work into conversation for the first time. The pairing is perhaps
 unexpected, yet immediate and compelling relationships between their practices
 are obvious. Fundamentally, both artists employed a sustained and coherent way 
of hyper-realizing the body in images that celebrate pleasure and deny shame.
 Together, their works reveal interconnected ideas surrounding sexuality, gender,
 taste and class. Artist and writer Huw Lemmey has contributed an incisive new
 essay exploring the queer contexts inherent to Tom of Finland's work, but that
 also finds latent resonance in Cook's paintings of gay bars and shapely women.
 He further considers the commercial forms of distribution that made them
 complex bodies of works highly accessible. Spanning five decades of paintings,
 drawings and archival materials, this companion catalog contributes to new
 readings of the artists' practices and their enduring impact on popular culture.
                      
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