Dan Mitchell designs subversive, socially critical and
humorous to promote his own exhibitions as well as those of his
fellow artists, and to serve as a critical commentary on facts
daily newspapers. While continuing the centuries-old tradition of poster art, it
explores contemporary approaches involving impressions of different
sizes and even digital posters. The book is completed by a
conversation between the artist and the Swiss curators Fredi Fischli and Niels
Olsen.
