Monograph composed of series of paintings made by the artist
Franco-American between 2013 and 2016, based on photographic documents
mainly from sexploitation films of the 1960s. The volume
also includes two essays and exhibition views.
Published on the occasion of Nina Childress's exhibition "She Should Have Stayed at
lit”, Galerie Bernard Jordan, Paris, from October 20 to December 24, 2016.
