War Primer 2 (Paperback)
- Authors: De (auteur) Adam Broomberg, De (auteur) Oliver Chanarin
- Publishers: MACK BOOKS
- Date of Publication: 2018-02-01
- Pages: 200
- Dimensions: 300mm x 250mm
                        Originally published in 2011 as a limited edition hardcover book, this
 paperback edition is a facsimile of the book that earned Adam Broomberg and
 Oliver Chanarin the Deutsche Börse Photography Prize 2013. War Primer 2
 appropriates the first English-language version of the remarkable Kriegsfibel by
 1955 by Bertolt Brecht in which Brecht combined press photographs
 world wars with four-line poems. Compiled by
 Intermittently spanning three decades, Brecht's book was a visual assault
 and lyrical against war and its propagandists under modern capitalism. 
By shifting the critique to contemporary narratives perpetuated by the
 so-called 'war on terror,' Broomberg and Chanarin superimpose
 strategically pages of Brecht's War Primer with images
 extracted from the Internet and generated by the actors, propagators and reporters of the
 contemporary conflict. Underlying this junction of two visual stories
 There is a deep skepticism about media images. War Primer has
 particularly drew attention to the didactic role of photojournalism in
 service of the senseless profiteers of war. The title deliberately recalls
 textbooks used to teach reading to primary school children, and
 the book, which uses razor-sharp words to dismantle the
 visual messages, actually serves as a manual, showing how to “read” or “translate”
 press photographs - images that Brecht called hieroglyphics 
requiring decoding. In War Primer 2, Brecht's concise poems and the
 selection of 20th century images - bombed cities and battlefronts, Hitler and
 his henchmen, and wounded soldiers and refugees, among others - take
 new implications when judiciously juxtaposed with images
 digital and video screenshots of the attacks on the Twin Towers,
 torture in Abu Ghraib prison, the execution of Saddam Hussein and
 George W. Bush proudly offering a Thanksgiving Day Turkey. When
 When the artist's book was first published, it raised
 relevant questions concerning the historical, political and social currency of
 media images generated by conflicts. Now, in the era of "fake
 news,” War Primer 2 probes the power of images not only for
 to tell but also to create the story.
                      
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