Audimat 22

If Audimat publishes essays worthy of the best investigations in human sciences and social, it represents more than a review of music analysis popular. She is interested in how life resonates in music and emphasizes the subjectivity of points of view. In this issue: why women don't do mumble rap, the pornographic experience of the electronic pop, the influence of country on French varieties, a history of ballroom/voguing culture, the producer's neutral indie-pop style Jack Antonoff (Lana Del Rey, Taylor Swift...)