hardcore

British music critic Simon Reynolds is also at ease tracing with minute the life of the stars of the glam that to describe the sound intensity of the British jungle, techno and hardcore music. This unpublished collection first collected his virtuoso columns for Wire magazine, which led to theorize the hardcore continuum (jungle, drum'n'bass, etc.) - according to him the last aesthetic to have represented a major rupture in music electronic, around an immoderate taste for bass, syncopated rhythms and atmospheres of dirty realism, exorcism of generalized anxiety under The effects of capitalism in turbo mode. After real-time analysis From these scenes comes the time for theory and a series of reflections ambitious on the meaning of the future in electronic music, the relationship to politics in the dancefloor scenes, but also their consequences in the dancehall or Burial music.