NOTHING HORRIBLE CAN HAPPEN TO US NOW

If staging is the art of setting up an action and its characters, then we can say that Marie-Pierre Brunel is a mistress in this area. Here is therefore a theatricality where there are cleverly composed settings where the leading role seems to be assigned to these female figures of whom no one could not say exactly whether they are in prayer, in meditation, and according to a ritual whose keys would escape us forever. No doubt it would be necessary see here a theater of the intimate, in the depths of which a radical otherness at the very heart of the most familiar. To the point of still imagining that all these stagings would not be without echoing Paul's words Verlaine: I often have this strange and penetrating dream of an unknown woman (…) and which is, each time, neither quite the same nor quite another…