Screens

It is a question of both reflecting the forms of the catalogue and making it visible singularities, similarities, differences: to create confusion in narration and the emotional relationship to the book. It is also about reporting of a practice of forms of painting, sculpture, installation which try to maintain and develop autonomy in fluidity. This monograph is constructed as a landscape with a methodology similar to that which is put in place for the preparation of an exhibition: discussions, meetings, collaborative work with several voices. In particular that of Clara Schulmann in an interview with the artist, and that of the critical text by Liza Maignan. Narrative, graphic and plastic arc are worked to create a specific rhythm of wandering and architecture of the book. The work richly illustrated with views of exhibitions and works varies in different sequences papers, printing specificities and scales of photographic reproduction.