Reality and fiction, matter and spirit, subject and object - the artist Rebecca Horn
constantly blurs these boundaries. The different media it uses do not
are not clearly separated and their nesting is part of its principle
artistic. Rebecca Horn: Concert for Anarchy, published on the occasion of the great
The artist's exhibition at the Bank Austria Kunstforum Wien is dedicated to this
aspect of his work. Essays written by renowned authors offer
new perspectives on Horn's work, which spans five decades: from
his first body instruments and performances, to his feature films and
kinetic sculptures, through his specific installations, his drawings
and his poems. The countless links with artistic traditions,
literary and cinematographic are highlighted, as well as the proximity of
Horn with subjects from mythology and myths. \n \nREBECCA HORN
(*1944) became known in 1972 as the youngest participant in the
documenta 5. Since his solo exhibitions at the Guggenheim Museum in New York
(1993), at the Neue Nationalgalerie in Berlin (1994) or at the Tate Modern in
London (1994), she is considered one of the most important artists
German.
