FILM SITES - CINEMA AND ITS SURROUNDINGS

Images are not things. Images are sites. When it comes to these special images that are films, our time never ceases to show us to recall by tilting and shaking up what we have thought of it until then. films have never moved so much, nor have our gazes moved with them – so much so that the Cinema has become for many unlocatable, everywhere and nowhere, diluted in a horizontal concentration of film practices where its privilege historical has finally died out. It is even less and less necessary for that there is a film that something is filmed. The hypothesis of this book is that These metamorphoses and new practices, although relatively recent that they are, bear witness less to a historical revolution than they potentially illuminate any film with a magnifying glass effect epistemological and speculative, inviting us to leave the cinema in the strict sense that it also goes back into the past of its history. The films do not are just relationships, suspenders, twists and turns, and the cinema will be taken here less as an object of study than as a method investigation of the visible and a journey into the theoretical thinking of images.