Synchronicities
Synchronicities
At the first image, I sketch a smile.
A young blonde woman stands in front of a painting by Gerhard Richter in a museum in Baden-Baden. She wears a jacket or coat (the framing does not allow this to be specified) whose vertical and multi-colored lines look very similar to those that make up the picture she admires.
Could this be a new form? of mimicry, of symbiosis between the looked at and the looker, between art and human? Could it be too good to be true?
For several years and From now on, over the course of the following pages, Sophie Aaron will work to help us demonstrate the opposite. Sophie leads a well-ordered life, concerned with the happiness of her loved ones. She travels a lot, always over hill and dale. A real draft. I only know of one vice she has, but it's a big one. Sophie is a drug addict to art. She always wants more, always demands more. By the force of Things, museums, galleries and fairs are all shooting galleries.
A young blonde woman stands in front of a painting by Gerhard Richter in a museum in Baden-Baden. She wears a jacket or coat (the framing does not allow this to be specified) whose vertical and multi-colored lines look very similar to those that make up the picture she admires.
Could this be a new form? of mimicry, of symbiosis between the looked at and the looker, between art and human? Could it be too good to be true?
For several years and From now on, over the course of the following pages, Sophie Aaron will work to help us demonstrate the opposite. Sophie leads a well-ordered life, concerned with the happiness of her loved ones. She travels a lot, always over hill and dale. A real draft. I only know of one vice she has, but it's a big one. Sophie is a drug addict to art. She always wants more, always demands more. By the force of Things, museums, galleries and fairs are all shooting galleries.
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