THE LOCAL - SIGNED
THE LOCAL - SIGNED
Nick Meyer grew up in a small industrial town in western
Massachusetts and since its youth, the city's terrain has been in constant
evolution, with houses and shops continually being erected, razed and
rebuilt in the abyss left by disintegrated industries. The Local
documents a city caught between aspiration and decline, a deeply moving narrative
personnel that reveals the struggles, the tumult and the daily life that takes place
take place in a place that, from the outside, seems stuck in stasis.
The experience described here is one of strangeness and familiarity: the rhythm of the
change may be recognizable, but the parameters have changed, the
Opioid addiction and economic crises joining the steady pace
from deindustrialization to define deep volatility. With the trope
The United States' "left behind" now a familiar invocation, the
Meyer's work offers a uniquely positioned assessment of this
figurative non-place, tracing its links with particular people and the
topography of an individual city. In this way, the representation
studied harsh socio-economic realities is transformed into something
more mythical but no less striking. Meyer's hometown becomes a
multi-level, poetic and often ghostly space, reminiscent of TS
Eliot's The Waste Land and William Carlos Williams' Patterson. Moving
between past and future, face and landscape, details of texture and
Meyer's vast picture, changing perspectives, demand a
Reconsidering what is 'local': what makes a place a place
in the homogenized landscape of post-industrial capital and what attitude or
how close it could be revealed. Nick Meyer (born 1981) lives in
Western Massachusetts. He is the recipient of the Pace Gallery Award and the
Barclay Simpson Prize. He received his Bachelor of Fine Arts degree from
Massachusetts College of Art and his MFA from California College
of the Arts. His book project Either Limits or Contradictions (Daylight 2017)
has appeared in TIME Lightbox, Huck Magazine, Museum, The Eye of Photography and
Ain't-Bad. Meyer's work has been presented nationally and
international and is part of many private collections.
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