YUNA

It's autumn in a medium-sized town. A policeman sleeps badly, his wife is worried, Yuna is wary of him. Are they able to help each other, beyond the idea they have of each other? From the offices of a police station to the privacy of a home to a camp outside the city, Yuna takes place in a universe that is both familiar and unusual, where the supernatural. Because even the unloved and the excluded have dreams, even visions. What does society do with their dreams? Who is pushed to the margins, periphery? Do these questions have answers? We are so easily defined in a few letters: Rom, cop, trans, redneck, teacher, boss, mytho, old, loser, dead… So much so that we escape from each other. Or that we let us hope to escape. In an intense black and white with exacerbated contrasts, characteristic of Vincent Vanoli's style, evolve from touching and slightly grotesque characters. His first collaboration with Anne Baraou offers us a tasty mix of closed cases, of emancipation and fantasy.