Pillars Of Home
Pillars Of Home – Time at work, that time that rushes by, always too short, is what Csilla Klenyànszki addresses in her performative and photographic games. Of course, this artistic approach is assumed, being defined by a sum of constraints that we could resume here as follows: the daily nap of a child, the domestic framework imposed by this nap, or thirty minutes for the creation. Pillars of Home is a series of variations on the same theme as dizzying as it is absurd. In thirty minutes, in this restricted frame and with only plants, plastic cups, a vacuum cleaner, a table, a chair, a teapot and other utensils (including her own body, an object that she does not hesitate to use and contort), the artist provides ninety-six answers in fragile balance between the floor and the ceiling of her apartment. We are amused by one, amazed by the other. However, none of them imposes a superiority because, more than the form, it is the process and the accumulation of experiences that the photographer wishes to highlight: not the beauty of the sculpture nor the skill of its assembly, but the action of an artist who wishes to oppose time with a mischievous and vital fantasy. Ephemeral, certainly, but certainly not insignificant.
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