Across twenty pages, the book unfolds as a tactile-temporal sequence, where navigation, page-turning, and unevenly cut layers of paper establish their own rhythm.
Constructed from stills and in-between frames extracted from a Super 8 film, alongside glitches emerging in the translation between analogue and digital, the publication draws on footage filmed primarily from public transport in San Francisco, a city shaped by Silicon Valley.
Vertical grids of skyscrapers and their windows establish a fragmented rhythm of repetition and modulation, invoking a sonic atmosphere akin to Tortoise, Trans Am, and Brian Eno.
