This comic book elucidates the origins of the Mirage project through a fictional-historical narrative centered on Hamzah Fansuri's discovery of God within a particle. The illustrations employ a stylistic amalgamation of wafak aesthetics (Islamic amulets), Sufi manuscripts from the Indonesian archipelago, and Kirby-esque cosmic landscapes. The paper quality mirrors that of Indonesian underground comics, and the work is produced using a malfunctioning offset printing machine, ensuring that each edition features a distinctive colour print. This unique production process not only enhances the visual appeal but also underscores the interplay between art and spiritual inquiry within the narrative framework.
