Vetur
- Auteurs: Patrick Lefèvre
- Éditeurs: KEHRER
- Date de publication: 2025-07-01
- Pages: 120
- Dimensions: 300mm x 225mm
“Vetur” means “winter” in Icelandic—a season during which weather and light can
change in the blink of an eye, reshaping vast open spaces into visions of
fleeting magic or quiet desola- tion. Lefèvre’s photographs embrace this
duality. In often desert- like landscapes where the road becomes the thread of
life, he traces a path through snowbound expanses and glacial silence, capturing
moments of both transcendence and austerity. Winters in Iceland can be both
mercilessly cold and incredibly beautiful. The rapidly changing weather and
light conditions of the winter months transform this quiet, remote country into
a true natural spectacle. In February 2024, Lefèvre explored Iceland for the
first time. The photographer artfully used the unique Icelandic light, with its
high contrasts and the magical atmosphere of the isolated, snow-covered
environment, to create a sensitive reality in his images. The landscapes are
almost desert-like, with roads as the only lifeline. The photographs span a wide
range of iconic and lesser-known Icelandic locations—from the crater lake Kerið
and the volcanic Katla region to the dramatic Dettifoss waterfall and the mist-
covered peninsulas of Snæfellsnes and Reykjanes. Yet, Lefèvre avoids postcard
realism. His Iceland is not about spectacle, but about essence. Each image pares
the landscape down to its qui- et core: a horizon blurred by fog, a single dark
stone punctuating a white field, or a strip of road vanishing into light. Vetur.
Frozen Landscapes of Iceland is more than a simple travel album or landscape
book—the images unfold into a poetic vi- sual story in which each photograph
could stand on its own as a striking painting. Drawing inspiration from the
aesthetics of Pictorialism, the pho- tographs possess a painterly softness,
balancing light and tone with minimalist precision. Their restrained palette and
open compositions evoke a contemplative state—more like medita- tions than
documentation. The result is a book that invites slow- ness, reflecting interior
landscapes as much as the Icelandic ter- rain: a search for stillness,
simplicity, and connection in a fragmented world.
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